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Here we have three shots that are basically the same frame shot with three different focal lengths and you can clearly see the difference in the depth of field. Then I pulled it out on jobs from time to time because I loved that little camera. My Phase One medium format images were the only images that had a noticeable change in quality when I looked at everything side by side. When I jumped to full frame sensors they were far better in terms of image quality than the crop sensors of that time. NOTE :: I’m not talking about tilting and/or shifting the lens or film to move the plane of focus. I’m talking about how an area of an image comes into focus and then falls out of focus. Then I started putting the Q&A book together and I had the chance to run pages of test prints for the book. My Fuji images ran side by side with D3 and 5d2 images without a single noticeable drop in quality. The thing that made me stop and stare though is the focus falls off. Cheers, Zack A full time commercial and editorial photographer, Zack shoots everything from bands to CEOs to ad campaigns.You know what happened between my D200 and the Fuji x100? During the time I was saying, “full frame sensors are the way to go,” crop sensors were getting better and better and better. Everything has gotten better but I’d argue that the difference in image quality from crop to full frame has narrowed significantly. That “focus gradient” for lack of a better term, or, how the field of focus works with large format film and optics. Large format cameras and lenses give you this “look” that just can’t be achieved with smaller formats. You need to have the experience of shooting large format at least once in your life. 🙂 Above you see David Burnett working an old 4×5 Speed Graphic in Dubai. Lastly, check out this post over at Wonderful Machine’s blog about Austin Hargrave photographing Dany De Vito with an 8×10. However, through that time I still argued that 35mm full frame was still a small format. It’s a tiny ass little itty bitty format when you compare it to the other formats of photography out today. The thing that I would first consider is depth of field. Medium format then gives you a look and feel that can’t be achieved in smaller formats. You go shoot a portrait with a large format camera, nail that exposure, nail that print… You are cheating yourself out of something mystical, magical, and a royal pain in the ass. He’s still traveling the world with large format cameras and film and all the PITA stuff that goes with that.

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